A Correct Answer Is Like

First One Gets Works Of Art, Then Criticism Of Them, Then Criticism Of The Criticism, And, Finally, A Book On The Literary Situation , A Book Which Tells You All About Writers, Critics, Publishing, Paperbacked Books, The Tendencies Of The (literary) Time, What Sells And How Much, What Writers Wear And Drink And Want, What Their Wives Wear And Drink And Want, And So On.

When You Call People We You Find It Easy To Be Unfair To Them, Since You Yourself Are Included In The Condemnation.

Underneath All His Writing There Is The Settled Determination To Use Certain Words, To Take Certain Attitudes, To Produce A Certain Atmosphere; What He Is Seeing Or Thinking Or Feeling Has Hardly Any Influence On The Way He Writes. The Reader Can Reply, Ironically, "that's What It Means To Have A Style"; But Few People Have So Much Of One, Or One So Obdurate That You Can Say Of It, "it Is A Style That No Subject Can Change.

If You Look At The World With Parted Lips And A Pure Heart, And Will The Good, Won't That Make A True And Beautiful Poem? One's Heart Tells One That It Will; And One's Heart Is Wrong. There Is No Direct Road To Parnassus.

People Had Always Seemed To Gertrude Rather Like The Beasts In Animal Farm : All Equally Detestable, But Some More Equally Detestable Than Others.