A Twenty-one-year-old Writer Is Likely

But How To Do Feelings? All Very Well To Write "she Felt Sad", Or Describe What A Sad Person Might Do, But What Of Sadness Itself, How Was That Put Across So It Could Be Felt In All Its Lowering Immediacy? Even Harder Was The Threat, Or The Confusion Of Feeling Contradictory Things.

Oblivion Seemed The Only Reasonable Option.

But It Was Too Interesting, Too New, Too Flattering, Too Deeply Comforting To Resist, It Was A Liberation To Be In Love And Say So, And She Could Only Let Herself Go Deeper.

One Important Theme Is The Extent To Which One Can Ever Correct An Error, Especially Outside Any Frame Of Religious Forgiveness. All Of Us Have Done Something We Regret - How We Manage To Remove That From Our Conscience, Or Whether That's Even Possible, Interested Me.

If I Could Write The Perfect Novella I Would Die Happy.