All Of A Sudden It

What Love Lays Bare In Me Is Energy.

I Want A History Of Looking. For The Photograph Is The Advent Of Myself As Other: A Cunning Dissociation Of Consciousness From Identity. Even Odder: It Was Before Photography That Men Had The Most To Say About The Vision Of The Double. Heautoscopy Was Compared With An Hallucinosis; For Centuries This Was A Great Mythic Theme.

The Photograph Is An Extended, Loaded Evidence — As If It Caricatured Not The Figure Of What It Represents (quite The Converse) But Its Very Existence ... The Photograph Then Becomes A Bizarre (i)medium(i), A New Form Of Hallucination: False On The Level Of Perception, True On The Level Of Time: A Temporal Hallucination, So To Speak, A Modest (o)shared(i) Hallucination (on The One Hand 'it Is Not There,' On The Other 'but It Has Indeed Been'): A Mad Image, Chafed By Reality.

As A Jealous Man, I Suffer Four Times Over: Because I Am Jealous, Because I Blame Myself For Being So, Because I Fear That My Jealousy Will Wound The Other, Because I Allow Myself To Be Subject To A Banality: I Suffer From Being Excluded, From Being Aggressive, From Being Crazy, And From Being Common.

Painting Can Feign Reality Without Having Seen It.