At This Point In My

Screenplays Aren't Written To Be Read, They're Written To Be Made Into Movies.

I Tend To Relate To A Character In Terms Of The Arc: What's Interesting Is Where He Starts Versus Where He Ends Up.

See, I Don't Get The Sense That You Need To Direct At All. Sometimes I Get The Opposite Sensation From You, That You're Like, "i Really Should Go Do Something Else." But Then You Are Drawn Back In By A Particular Story, Like A Hangnail In The Brain.

Well, I Don't Feel That I've Played So Many Bad Guys, And I'm Rot Really Drawn To Villains Per Se. I Think A Lot Of People Relate To Some Of My Characters' Inner Struggles.

When You're Working On A Creative Thing, Everyone Has An Idea, And They're Pushing It. The First Time You Work With Anybody, You Have To Get Comfortable With The Way Another Person Pushes Hard For What They Want. Familiarity Breeds Contempt, People Say. But I've Found, For Creative Things, Familiarity Breeds Peace Of Mind, Because You Realize You Know Someone Better. You Trust Each Other. You Know Not To Take Things A Certain Way, Or A Wrong Way. You Get To Where You Don't Have To Waste Quite So Much Time With Diplomacy. Things Are A Little More Efficient.