But There's A Big Difference

Appearing On The Front Page Of The New York Times Even Given The State Of Papers Today Is Still Something That's Seen By A Lot Of People.

You Can Think Of My Films As Cautionary Tales, But You Might Even Think Of Them As Despairing Tales, Because At Least In A Cautionary Tale, You Have This Idea That By Listening To The Story You Can Assure A Better Outcome. Whereas I'm Not At All Convinced That's The Case. In Fact, If Anything, I'm Convinced That It's The Opposite.

I've Always Loved [elsa Dorfman] Work. I've Loved Her And Her Work Is So Much An Expression Of Her. One Of The Reasons To Make The Film Is To Expose Elsa, Hopefully, To A Wider Audience.

The Fact That The World Is Utterly Insane Makes It Tolerable.

I Believe That We Face Incredible Obstacles In Our Attempts To See The World. Everything In Our Nature Tries To Deny The World Around Us; To Refabricate It In Our Own Image; To Reinvent It For Our Own Benefit. And So, It Becomes Something Of A Challenge, A Task, To Recover (or At Least Attempt To Recover) The Real World Despite All The Impediments To That End.