By Its Very Nature, Film

There's Nothing Like Stories On A Windy Night When Folks Have Found A Warm Place In A Cold World.

He Sat Upon His Throne, Which Is Made Of Skulls.

Black As Night And As Beautiful As Forever.

Must You Write Complete Sentences Each Time, Every Time? Perish The Thought. If Your Work Consists Only Of Fragments And Floating Clauses, The Grammar Police Aren't Going To Come And Take You Away. Even William Strunk, That Mussolini Of Rhetoric, Recognized The Delicious Pliability Of Language. "it Is An Old Observation," He Writes, "that The Best Writers Sometimes Disregard The Rules Of Rhetoric." Yet He Goes On To Add This Thought, Which I Urge You To Consider: "unless He Is Certain Of Doing Well, [the Writer] Will Probably Do Best To Follow The Rules."

There Are, Occasionally, Writers Who Are Able To Combine Both Story And Style. They Are, Of Course, The Best. You Get A Spectacular View And You Also Get To Look At It From The Backseat Of A Chauffeur-driven Cadillac. In The Field Of Fantasy, Those Writers Able To Combine Story-as-narration With Story-as-style Are Even Rarer. But There Are A Few...the Late Theodore Sturgeon, The Early Ray Bradbury...and Richard Christian Matheson. A Brilliant Chip Off The Old Block.