Every Day, The Dispensing Of

When The Sky Is As Grey As This - Impeccably Grey, A Denial, Really Of The Very Concept Of Colour - And The Stooped Millions Lift Their Heads, It's Hard To Tell The Air From The Impurities In Our Human Eyes, As If The Sinking Climbing Paisley Curlicues Of Grit Were Part Of The Element Itself, Rain, Spores, Tears, Film, Dirt. Perhaps, At Such Moments, The Sky Is No More Then The Sum Of The Dirt That Lives In Our Human Eyes.

Seeing The World Anew, As If It Were New, Is As Old As Writing. It's What All Painters Are Trying To Do, To See What's There, To See It In A Way That Renews It. It Becomes More And More Urgent As The Planet Gets Worn Flat And Forest After Forest Is Slain To Print The Paper For People's Impressions To Be Scrawled Down On. It Becomes Harder And Harder To Be Original, To See Things With An Innocent Eye. Innocence Is Much Tied Up With It. As The Planet Gets Progressively Less Innocent, You Need A More Innocent Eye To See It.

I Am, Incidentally, The Only Writer To Have Received The Somerset Maugham Award Twice - The First Time For My First Novel, The Second Time For My Second First Novel.

Novelists Tend To Go Off At 70, And I'm In A Funk About It, I've Got Myself Into A Real Paranoid Funk About It, How The Talent Dies Before The Body.

The Egotism Of People Who Are Eminent Without Being In The Least Distinguished And Somehow Feeling That's Their Due - That Seems To Me To Be A Peculiarly English Phenomenon.