Fame Is Very Corrosive And

There's A Lot Of Romanticisation Of The Intuitive Actor And Method Acting And All Kinds Of Notions About Getting Inside A Character And Coming Out From There.

I Almost Forgot What It's Like To Be Proud Of My Government.

I Get Heartbroken Flying Into L.a. It's Just This Feeling Of Unspecific Loss. Can You Imagine What The San Fernando Valley Was When It Was All Wheat Fields? Can You Imagine What John Steinbeck Saw?

If There's A Criteria That Really Gets Me Interested In A Work Besides Any Type Of Personal Interaction With The Theme, It's If I Feel Like This Is The Right Piece Of Work For That Director At That Moment In Their Career.

When I Look At The Directors That I Really Love, Who Really Develop Their Films Over Time, They're Almost Always The Ones Who Go Back Again And Again And Again At The Same Investigations. I Think That When Somebody Has A Theme They Go After, It's Fun To Service That. It's Like, "i Know You Now. I Know What You Go At." It Helps You Locate Yourself A Little Bit Quicker In Their World.