Given The Events Of Even

I Wonder If I Would Have Been Capable Of Producing Anything If I Worked In A More Conventional Way With A Prewritten Script, Because I'm Of The Procrastinator Class.

The Main Problem Is That The Hollywood System Has Already Made The Film Before The Director Shoots A Single Frame.

I Am Very Happy To Be Part Of European And World Cinema As A British Filmmaker.

It's Important To Be True To The Events, But The Most Important Thing Is To Get To The Essence Of The Experience. Not To Be Bogged Down In An Academic Way By A Notion Of The Truth. First Of All, The Truth Is An Illusive And Spurious Concept.

I Think The Camera Has Got To Be Motivated. You Can't Have Things Arrived At Gratuitously. Everything Has To Have An Organic Function, But The More Comfortable I've Become And The More Imaginative And Sophisticated And The More Exploratory I've Become At The Medium, The More I've Subtly Deviated Away From That In Various Ways.