He Didn’t Really Like Travel,

You Can't Have A Novel Without Real, Believable People, And Once You Get Into Either Too Theoretical A Novel Or Too Philosophical A Novel, You Get Into The Dangers That The French Novel Has Discovered In The Past 50 Or 60 Years. And You Get Into A Sort Of Aridity. No, You Have To Have Real, Identifiable People To Whom The Reader Reacts In A Way As If They Were Real People.

Loving Humanity Means As Much, And As Little, As Loving Raindrops, Or Loving The Milky Way. You Say That You Love Humanity? Are You Sure You Aren’t Treating Yourself To Easy Self-congratulation, Seeking Approval, Making Certain You’re On The Right Side?

If A Man Cannot Tell What He Wants To Do, Then He Must Find Out What He Ought To Do. If Desire Has Become Complicated, Then Hold Fast To Duty.

You Put Together Two People Who Have Not Been Put Together Before. Sometimes It Is Like That First Attempt To Harness A Hydrogen Balloon To A Fire Balloon: Do You Prefer Crash And Burn, Or Burn And Crash? But Sometimes It Works, And Something New Is Made, And The World Is Changed. Then, At Some Point, Sooner Or Later, For This Reason Or That, One Of Them Is Taken Away. And What Is Taken Away Is Greater Than The Sum Of What Was There. This May Not Be Mathematically Possible; But It Is Emotionally Possible.

It Took Me Some Years To Clear My Head Of What Paris Wanted Me To Admire About It, And To Notice What I Preferred Instead. Not Power-ridden Monuments, But Individual Buildings Which Tell A Quieter Story: The Artist's Studio, Or The Belle Epoque House Built By A Forgotten Financier For A Just-remembered Courtesan.