I Always Ignore Money.

I Always Feel A Bit Trapped When A Painting Goes For Millions Of Pounds And Only One Person Can Have It. If You Can Have That As Well As A Poster On Every Student's Wall, Then You're In A Very Enviable Position. I'd Like To Do A Damien Hirst For £500 At Some Point.

You've Got To Be Oblivious To Other People, The Push And Pull Of Other People's Opinions, The Way Other People Measure Success. It's Then That You Realize You Are 100 Percent Who You Are And You Have To Use That Who-you-are 100 Percent In Order To Create Great Things.

Commercials Are So Contemporary And Up To Date That When You're Involved In That Visual World, You Can't Really Go Backwards.

You Have To Step Over The Boundaries Sometimes Just To Find Out Where Theyare.

For Me, Art Is Always A Kind Of Theater. When I Started The Spot Paintings I Made Them As An Endless Series. But I Was Never Serious About It Being An Endless Series. It Was Just An Implied Endless Series. The Theater Means You Just Have To Make It Look Good For That Moment In The Spotlight.