I Have Grown Up Loving

In Shakespeare, Keep It Simple. Don't Over-inflect. The Speech Needs To Be Naturalistic And Simple And Accessible As Much As Possible.

Having Gone Through Editing Process, I Can See That In Actor's Faces There's Point Where They're Not Managing Their Performance And That's, I Think, The Best Place To Be. You've Done The Homework, You've Learned The Lines, At That Point You Just Sort Of Let It Out.

There Is A Tension In Relationships Between Wanting To Return To The Womb, But Also Wanting To Be Free. Because Sometimes The Woman's Attentions Can Be Overly Maternal, And You Want To Go, 'ahhhh!'

Performance Is Made In The Editing Room, And I've Come To See The Truth In That - The Idea That They Say Performances Are Usually Made In The Editing Room Because What You Film Is The Raw Material. I Think Just Going Through The Process Of Saying, "which Take Do We Use? Why Is That The Take We Want? I Want That Take Can You Edit Again, I'm Not Sure That's The One, I Think It's This One." And Just Because You Go Through That Process, I Think Somehow It's Made Me Sort Of More Open About The [actor's] Possibilities.

When You Meet Women, Don't Pretend To Be Anything That You're Not.