I Hope People Will Put

The Dynamics Of Film Directing And Fashion Design - In The Ways That I've Done It - Were Not Dissimilar.

When You Decide You Want To Make A Film, You Start Listening To Everything That Anyone Has To Say About Filmmaking And Reading Everything, And There's A Maxim About Film Being A Visual Medium, And So You Need To Make, In A Sense, A Silent Movie And Layer On Dialogue.

I Realized That The Way I Approached Architecture Was With A Somewhat Fashion Brain. That Didn't Get Me Very Good Marks In School, Because Everyone Thought Fashion Was Lightweight. In Architecture They Say, "well, Why Is The Door Pink? Where Does It Go? What Does The Pink Mean? What Does It Symbolize? All The Other Doors Are Beige, Why Is That One Pink?" I Was Like, "well, It's Pink Because It's Pretty."

Just Because One Is Spiritual Doesn't Mean That One Doesn't Like Crocodile, Cashmere. We Live In A Material World. We Still Experience These Things. It Doesn't Mean To Completely Disregard Them.

I Think People Who Are Compelled To Achieve Never Really Think They've Achieved... I Think The Moment You Get To A Place When You Think 'oh I'm A Fashion Legend' Then That's When You're No Longer Competitive In Your Field.