I Just Don't Know That

I Came From A Sorkin-like Project In The Sense That There Was No Freedom To Change A Line, Which, In A Weird Way, Is Its Own Freedom Because You're Living Within That Structure And Know This Is What It Is. You Just Adjust. Every Project Has Its Own Personality.

It's Also Show Business. It's Not "show Fun Friends".

Maybe I Should Sit. Plenty Of People Use Sitting As A Way To Pass The Time.

Some People Think My Father Was A Spy, Because Of Working For That Government Agency In Vietnam, But He Can't Find His Car Keys, Much Less Keep A National Secret.

Over And Over In The Play My Character Says, "i'm Thirty-two Years Old," As If That Should Explain Everything That's Wrong In Her Life. I Don't Know What It's Like To Be Thirty-two, But I Can Imagine. I Imagine She Means She's Stuck In An In-between Time, She's At An Age That Isn't A Milestone But More Of A No-man's-land, An Age Where She's Feeling Like Her Hopes Are Fading.