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I Love Good, Loud Speakers.
-Brian Eno
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I Love Good, Loud Speakers.
Brian Eno
I Love Good, Loud Speakers.
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You Know That In Order To Copyright Material Somebody Has To Write It Down For You. Any Piece Of Recorded Material Has To Be Scored In Order For It To Be Copyrighted. I've Seen The Scores Of My Things And They Don't Resemble The Music In Any Way. If You Give Them To Somebody Who Has Never Heard The Music And Say, "what Does This Sound Like To You?" They'll Play You Something That Has No Relationship With The Music It Derives From. Notation Simply Isn't Adequate.
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In The Wake Of The Events Of 11 September 2001, It Now Seems Clear That The Shock Of The Attacks Was Exploited In America.
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If You Had A Sign Above Every Studio Door Saying ‘this Studio Is A Musical Instrument’ It Would Make Such A Different Approach To Recording.
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In Fact, Quite A Lot Of What I Do Has To Do With Sound Texture, And, You Can't Notate That. You Can't Notate The Sound Of "st. Elmo's Fire." There's No Way Of Writing That Down. That's Because Musical Notation Arose At A Time When Sound Textures Were Limited. If You Said Violins And Woodwind That Defined The Sound Texture; If I Say Synthesizer And Guitar It Means Nothing - You're Talking About 28,000 Variables.
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