I Mean, I Have The

In This Crazy Mirror Of Terror And Art A Pseudo-quotation Made Up Of Obscure Shakespeareanisms (chapter Three) Somehow Produces, Despite Its Lack Of Literal Meaning, The Blurred Diminutive Image Of The Acrobatic Performance That So Gloriously Supplies The Bravura Ending For The Next Chapter.

There Is Nothing Dictators Hate So Much As That Unassailable, Eternally Elusive, Eternally Provoking Gleam. One Of The Main Reasons Why The Very Gallant Russian Poet Gumilev Was Put To Death By Lenin's Ruffians Thirty Odd Years Ago Was That During The Whole Ordeal, In The Prosecutor's Dim Office, In The Torture House, In The Winding Corridors That Led To The Truck, In The Truck That Took Him To The Place Of Execution, And At That Place Itself, Full Of The Shuffling Feet Of The Clumsy And Gloomy Shooting Squad, The Poet Kept Smiling.

When I Receive A New Novel From A Hopeful Publisher - "hoping That I Like The Book As Much As He Does" - I Check First Of All How Much Dialog There Is, And If It Looks Too Abundant Or Too Sustained, I Shut The Book With A Bang.

At A Very Early Stage Of The Novel's Development I Get This Urge To Collect Bits Of Straw And Fluff, And To Eat Pebbles. Nobody Will Ever Discover How Clearly A Bird Visualizes, Or If It Visualizes At All, The Future Nest And The Eggs In It.

Some Might Think That The Creativity, Imagination, And Flights Of Fancy That Give My Life Meaning Are Insanity.