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I Try To Employ A Different Strategy For Each Story. Often, I'll Have A Specific Look In Mind Before I Even Have The Story To Go With It. I'm Not So Much Interested In Forcing The Issue Of Reader Identification Through Various Graphic Tricks. I'm More Interested In Creating Specific Characters That Resonate With My Own Particular Inner Struggles.

It Keeps Me Moving When I See People Doing Stuff That I See As "my" Direction. I Think, "oh, It's Been Tainted. Now I've Got To Do Something New." There's Nothing Worse Than Working On Your Own Stuff And Thinking That Someone Else Is Following You Along.

Alfred Hitchcock Talked About Planning Out His Movies So Meticulously That When He Was Actually Shooting And Editing, It Was The Most Boring Thing In The World. But Drawing Comics Isn't Like Shooting A Movie. You Can Shoot A Movie In A Few Days And Be Done With It, But Drawing A Comic Takes Years And Years... That's The Biggest Part Of Doing Comics: You Have To Create Stuff That Makes You Want To Get Out Of Bed Every Morning And Get To Work.

I've Felt That In The Past, Where I Just Felt Like I Had To Keep Drawing In The Same Way To Maintain This Sameness And Rhythm Throughout An Entire Book, And It Was Not Really Necessary.

I Love The Medium And I Love Individual Comics, But The Business Is Nothing I Would Be Proud Of.