I Pursue No Intentions, No

Painting Pictures Is Simply The Official, The Daily Work, The Profession, And In The Case Of The Watercolours I Can Sooner Afford To Follow My Mood, My Spirits.

If, While I'm Painting, I Distort Or Destroy A Motif, It Is Not A Planned Or Conscious Act, But Rather It Has A Different Justification: I See The Motif, The Way I Painted It, Is Somehow Ugly Or Unbearable. Then I Try To Follow My Feelings And Make It Attractive. And That Means A Process Of Painting, Changing Or Destroying - For However Long It Takes - Until I Think It Has Improved. And I Don't Demand An Explanation From Myself As To Why This Is So.

I Don't Create Blurs. Blurring Is Not The Most Important Thing; Nor Is It An Identity Tag For My Pictures.

Well, I Don't Believe There Are Subjects That Can't Be Painted, But There Are A Lot Of Things That I Personally Can't Paint.

I Don't Mistrust Reality, Of Which I Know Next To Nothing. I Mistrust The Picture Of Reality Conveyed To Us By Our Senses, Which Is Imperfect And Circumscribed.