I Think I'm Optimistic, Yeah,

When You Make Movies, You've Picked The Most Expensive Art Form, And Somebody Has To Pay For It. You Kind Of Owe It To Them To At Least Let Them Know How You Expect To Make It As Accessible To As Many People As You Can, Given The Story You're Telling.

When I Worked In Those Offices, It Was Just Irritating To Me That Somebody Sat There And Designed This Place, Never Thinking That You Would Walk From Here To There, And They Didn't Care. The One Guy Designs It, Gives It To The Other Guy, He Looks At It; No One Thinks About All The People That Gotta Walk Through It. So I Think The Best Way To Show Those Banal Moments Is To Be Just Flat And Wide.

Who Is Mike Judge? Let Me Think. The Only Way I Could Possibly Answer That Question Would Be In A Nonverbal Fashion. I Think I Could Do An Interpretive Dance That Would Answer That Question For You.

I'm Fine Watching Stuff On Tape, To Me Casting Is The Most Painful Part Of The Whole Process, It's Like Going On A Horribly Awkward Date Every Five Minutes For Eight Hours, And People Come In And They'll Be Someone Good But They're Not Right, And You Want To Tell Them They're Good, But It Sounds Like Bs, And They're Looking At Your Face To See How They Did, What Adjustments They Need, And It's Just So Emotionally Draining, And It Goes On And On.

When You Work For Other People You'll Find ... That They Do Know What's Best For Them, And For The Company. And You Should Listen To Them And Be Respectful, But They Don't Know What's Best For You.