I Think It Is All

The Summer Night Was Starless And Stirless, With Distant Spasms Of Silent Lightning.

When I Try To Analyze My Own Cravings, Motives, Actions And So Forth, I Surrender To A Sort Of Retrospective Imagination Which Feeds The Analytic Faculty With Boundless Alternatives And Which Causes Each Visualized Route To Fork And Re-fork Without End In The Maddeningly Complex Prospect Of My Past.

But As Van Casually Directed The Searchlight Of Backthought Into That Maze Of The Past Where The Mirror-lined Narrow Paths Not Only Took Different Turns, But Used Different Levels (as A Mule-drawn Cart Passes Under The Arch Of A Viaduct Along Which A Motor Skims By), He Found Himself Tackling, In Still Vague And Idle Fashion, The Science That Was To Obsess His Mature Years - Problems Of Space And Time, Space Versus Time, Time-twisted Space, Space As Time, Time As Space - And Space Breaking Away From Time, In The Final Tragic Triumph Of Human Cogitation: I Am Because I Die.

Turning One's Novel Into A Movie Script Is Rather Like Making A Series Of Sketches For A Painting That Has Long Ago Been Finished And Framed.

I Was Also Supposed To Quiz My Various Companions On A Number Of Important Matters Such As Nostalgia, Fear Of Unknown Animals, Food Fantasies, Nocturnal Emissions, Hobbies, Choice Of Radio Program, Changes In Out Look And So Forth.