I Think That What Trips

When I Listen To Little Fourth-dimension Artifacts, They're Like They Were Made As Time Capsules In The First Place. You Know That When You're Writing The Song And Recording The Song, You're Already Sending A Message To The Future Listener, Whoever And Wherever And Whenever That Will Be.

Venues Are All The Same, All Feel The Same, These Generic Blank Spaces. I Like Artists Like Lightning Bolt-bands That Go In And Kind Of Change Things Every Time, Play On The Floor, Set Up In The Middle Of The Room. They Go In And They Reinvent The Space Every Time, Which I Feel Is Like The Kind Of Thing That Should Just Be Happening.

I Don't Usually Read Reviews. I Usually Read The Interviews, Just Because I Figure It's A Good Way To Try To Do Them Better If I Ever Have To Do Them Again.

The Songs Are Not Meant To Be Real Life. They're Meant To Have A Psychic - Rather Than A Factual - Bearing On The Listener. It's Rare That A Song Grounded In Reality Moves Me Because I Don't Feel Like I'm Getting The Whole Story. Songs Are Made To Exist In And Of Themselves, Like A Great James Jones Or Robert Louis Stevenson Novel - They're Not Autobiographical, And Yet There's A Reality In Every Single Page. It's Real Life Of The Imagination.

Sometimes We Need To Tell Ourselves That We're Not Going To Do Certain Things, Just In Order To Stay Sane.