I Think We Should Stop

When You're Onstage, You're Acutely Aware Of The Reaction Of A Particular Group Of People, Because It's Like A Wave.

Things Present Themselves To You, And It's How You Choose To Deal With Them That Reveals Who You Are. We All Say A Lot Of Things, Don't We, About Who We Are And How We Think. But In The End It's Your Actions, How You Respond To Circumstance That Reveals Your Character.

We Talked About Trying To Create An Image That Would Somehow, To An Audience, Create The Sense Of Awe, Wonder And Shock That The Troops Must Have Felt That Their Monarch - And A Female Monarch - Went To The Frontline Of Battle And Was Prepared To Lay Down Her Life. This Speech Is So Well Known And Has Been Done In Virtually Every Version Of The Events Of Elizabeth's Life.

What I Find Interesting Is This Ricochet Effect, That The Audience Perceives The Work And Then Does Something With It, Throws It Back To The World, And There's An Ongoing Interaction Between Work And Audience, Which Doesn't Belong To The Artist Anymore - From The Moment You Release It, It Doesn't Belong To Anybody.

People Talk About The Golden Age Of Hollywood Because Of How Women Were Lit Then. You Could Be Joan Crawford And Bette Davis And Work Well Into Your 50s, Because You Were Lit And Made Into A Goddess. Now, With Everything Being Sort Of Gritty, Women Have This Sense Of Their Use-by Date.