I Think When People Are

I'll Generally Write Out Every Scene That's In The Film On A Couple Of Pieces Of Paper, Just With A Little One-line. And Then I Can Scan It A Bit And Go, 'this First Third Of The Film, Generally, I'm Kind Of Calm.' Then I Might Do Something On One Piece Of Paper That Just Relates To The Energy Of The Character.

I Do Have Aspirations When It Comes To Directing, I Suppose, But In A Sort Of A Vague Way. It Would Probably Come About If I Found A Project That I Really Felt Passionate About.

Most Of The Time When I'm In Australia I'm Not Really Working, It Seems. I'm Just At Home, Getting On With Renovating My House Or Writing Music Or Whatever. So I Get Back To Doing All The Stuff That I Naturally Do. Whereas If I'm Away Working, That's All There Is To Do, Is To Concentrate On The Work.

You Can Have A Great Time On A Film And The Chemistry Can Seem Great But Then You Look At The Finished Film And It Just Doesn't Quite Gel, Something Doesn't Quite Work.

I Can Be Fairly Optimistic, But I'm Probably More A Realist, I Think. I Mean, Optimism's An Interesting Quality, Isn't It, Because I'm Always Slightly Dubious As To What's Behind It?