I Think Woody Allen Is

Of The Hundreds Of Points To Enter And Exit That Are Offered To Me, I Have To Choose The One That I Feel Is The Least Wrong, The Least Fake. It Is Fake, It Is A Moment That I Choose To Erupt The Story, But I Make It As Smooth As I Can. What Enables Me To Do It Is The Skill Of Filmmaking.

I Saw This French Woman, This English Man In Italy. It Was A Film [certified Copy] I Knew Well, But I Had Already Seen It, And I Was Familiar With It, And I Had No Feeling Of Anxiety Or Responsibility Toward It.

Close-up Has Affected Later Films That I've Made.

In My Experience As A Director, I Think There Is Obviously Something Of The Way Men - Maybe That's A Common Point With Shirin - The Way Men See Women In The Film, And The Way These Two Characters See Each Other.

Not That I Ever Felt The Necessity Of Proving That All Human Beings Suffer The Same Way, Feel Joy The Same Way, But It Happened On My Way - When I Get Close To These People, Just By The Simple Intervention Of Translation I Can Actually Reach Them And Ask Them Something, And Their Reaction Is As I Expected. I See That The Relationship Goes So Smoothly, And I Realize That Cultural Languages And Specificities Are Nothing But Simple Obstacles That You Can Easily Overcome. It's Obvious That Human Beings Are The Same Wherever They Are.