I've Got An Age That

After Writing A Page, Hemingway Would Let It Float To The Ground. He Never Crumpled Pages - He Believed That If You Crumpled Them, You'd Be Insane In A Year.

When You're Doing Those Operation Scenes, You Not Only Have To Be On Top Of The Dialogue And The Rhythm Of The Dialogue And What's Happening Dramatically, But You've Got To Technically Get The Rhythm Right, So That Everything Is Fitting With The Dialogue At The Right Time. And You're Performing The Operation To The Audience That's Watching It. Thackery Has To Present It, As Well. In Some Ways, That's The Most Challenging.

If You Are Making A Script Based On A Book It Can Be Frustrating Going Back To The Source Novel, Because You're Turning The Story Into A Totally Different Thing; The Narrative Of Film Is Different From That Of A Book.

The Further You Run From Your Sins, The More Exhausted You Are When They Catch Up To You.

I Don't Think You Necessarily Identify And Believe In The Motifs Of The Character, But You Have To Want To Play It And Want To Commit To The Lines.