I Want Another Idea, Another

I Was The First Records Editor At Rolling Stone, And There Were No Rules. There Was Nothing To Fall Back On As To How Do You Write About This Kind Of Music, So People Were Trying Absolutely Everything With A Great Sense Of Freedom And Experimentation And Success And Failure, And A Feeling Of, “my God, People Are Actually Paying Attention To This. Let’s Pretend They Aren’t Because We Don’t Want To Be Intimidated By What Somebody Might Think Of What We’re Saying.

I Am A Critic Who Is Pulled Toward History. But Bob Dylan Himself Is A Great Historian. He Is An Historian Who Acts Out History. So It Always Has A Personal Stamp. It Always Has A Particular Timbre. It Always Has A Particular Howl, Or A Moan, In That Voice.

Elvis' Early Music Has Drama Because As He Sang He Was Escaping Limits.

I Learned That When Something Just Has To Be Said To Move The Discussion Along, Or Broaden It Or Deepen It, If I Can Just Keep My Mouth Shut For Five Minutes A Student Will Say It. So For Me A Lot Of Teaching Is About Keeping My Mouth Shut.

Words That In Their Everyday Surrealism Have No Parallel In Contemporary Writing... Music That Mines The Deep Veins Of Fatalism In The Appalachian Voice