In Art Economy Is Always

It Exhibits The Effort Of An Essentially Prosaic Mind To Lift Itself, By A Prolonged Muscular Strain, Into Poetry.

To Say That She Had A Book Is To Say That Her Solitude Did Not Press Upon Her; For Her Love Of Knowledge Had A Fertilizing Quality And Her Imagination Was Strong. There Was At This Time, However, A Want Of Lightness In Her Situation, Which The Arrival Of An Unexpected Visitor Did Much To Dispel.

The Image Of The Presence, Whatever It Was, Waiting There For Him To Go -this Image Had Not Yet Been So Concrete For His Nerves As When He Stopped Short Of The Point At Which Certainty Would Have Come To Him. For, With All His Resolution, Or More Exactly With All His Dread, He Did Stop Short - He Hung Back From Really Seeing. The Risk Was Too Great And His Fear Too Definite: It Took At This Moment An Awful Specific Form.

I Recall My Fleeting Instants In Savannah As The Taste Of A Cup Charged To The Brim.

The Critical Sense Is So Far From Frequent That It Is Absolutely Rare, And The Possession Of The Cluster Of Qualities That Minister To It Is One Of The Highest Distinctions... In This Light One Sees The Critic As The Real Helper Of The Artist, A Torchbearing Outrider, The Interpreter, The Brother... Just In Proportion As He Is Sentient And Restless, Just In Proportion As He Reacts And Reciprocates And Penetrates, Is The Critic A Valuable Instrument.