In Every Picture There Should

When A Man Is Familiar With Many People He Must Expect Many Disagreeable Familiarizations.

Addison Writes With The Ease Of A Gentleman. His Readers Fancy That A Wise And Accomplished Companion Is Talking To Them; So Thathe Insinuates His Sentiments And Taste Into Their Minds By An Imperceptible Influence. Johnson Writes Like A Teacher. He Dictates To His Readers As If From An Academical Chair. They Attend With Awe And Admiration; And His Precepts Are Impressed Upon Them By His Commanding Eloquence. Addison's Style, Like A Light Wine, Pleases Everybody From The First. Johnson's, Like A Liquor Of More Body, Seems Too Strong At First, But, By Degrees, Is Highly Relished.

Quotation Is More Universal And More Ancient Than One Would Perhaps Believe.

It Is Wonderful That Five Thousand Years Have Now Elapsed Since The Creation Of The World, And Still It Is Undecided Whether Or Not There Has Ever Been An Instance Of The Spirit Of Any Person Appearing After Death. All Argument Is Against It; But All Belief Is For It.

Boswell, When He Speaks Of His Life Of Johnson, Calls It My Magnum Opus, But It May More Properly Be Called His Opera, For It Is Truly A Composition Founded On A True Story, In Which There Is A Hero With A Number Of Subordinate Characters, And An Alternate Succession Of Recitative And Airs Of Various Tone And Effect, All However In Delightful Animation.