It Is Very Important What

Well, After Zombie Birdhouse Came Out, I Toured Behind It In The Fall Of 1982, Into The Spring, And In The Summer In The Far East. At That Time, I Found My Work Self-referential; It Was Getting To Be Rock Songs About A Rock Singer Who Lived A Rock Life On The Rock Road, And I Was Starting To Wonder What I Would Be Like To Rent My Own Apartment, What It Would Be Like To Have A Checkbook.

I Thought, "wow, It Sounds Really Stoned Anyway." It Sounded Good To Me. I Found Out That There Was A Lot In There. What All This Comes Down To Is I Was Just Trying To Get In Touch With Myself. And I Met Some Interesting People In New York Who Weren't In Show Business. I Even Got To Know My Dentist.

In The Morning I'd Write These Essays, Anything That I'd Feel Like Writing, And In The Afternoon, I'd Spend Time With My Guitar. I Had Decided After Listening To My Last Four Or Five Albums That My Biggest Weakness Musically Was Melody. The Reason I Had Been Singing In A Monotone Over The Chord Patterns In My Songs Was That I Never Practiced Doing Melodies.

Onstage I've Been Hit By A Grapefruit, Beercans, Eggs, Spit, Money, Cigarette Butts, Mandies, Quaaludes, Joints, Bras, Panties, And A Fist.

If I Don't Terrorize, I'm Not Pop.