Life Is Much Larger Than

You Start With A Generic Body, But I Think The First Wall You Hit With Portraiture Is Comprised Of History And Storytelling And The Nature Of Characters - Whether They Are Historical Or Coming From Literature Or Documentation. Those Are The References We Have To People, Besides Your Family, And The Intimacy Of Portraiture Is In The Specifics Of Individuals. For Me, It Came Out Of Doing Things About Animals.

In Drawing, I Often Think Of Things As Flying Buttresses.

Prior To My Father's Death, I Was Having A Hard Time Committing To A Career As An Artist, But That's Not Because Of Who He Was - It Was Because Of Who I Am. It's True, Though, That I Felt I Shouldn't Compete With Him, And That Those Feelings Went Away After He Died.

I Certainly Am One Of Those People Who Is Incredibly Privileged To Have An Art Career, Which Happened Out Of Luck. Then Luck Kept Happening. Besides That, Things Just Move Along In Their Own Weird Way.

It Was A Very Economically Depressed Time [the 80s] And Because Of That, There Was A Lot Of Space. Everything Was Relatively Dilapidated, And One Could Live On A Pretty Low Income. One Could Live Well Below The Poverty Line And Not Suffer Immensely.