Long Live The New Flesh.

I'm Very Anti-religious Because Religion Tends To Disembody You.

When You're In The Muck, You Can Only See Muck. If You Somehow Manage To Float Above It, You Still See The Muck, But You See It From A Different Perspective. And You See Other Things, Too. That's The Consolation Of Philosophy.

I'm Not Very Well Organized Unless I'm Plugged Into A Structure Like The Opera Or A Movie. When I'm Doing That, I Have To Be Organized.

I Have No Rules. For Me, It's A Full, Full Experience To Make A Movie. It Takes A Lot Of Time, And I Want There To Be A Lot Of Stuff In It. You're Looking For Every Shot In The Movie To Have Resonance And Want It To Be Something You Can See A Second Time, And Then I'd Like It To Be Something You Can See 10 Years Later, And It Becomes A Different Movie, Because You're A Different Person. So That Means I Want It To Be Deep, Not In A Pretentious Way, But I Guess I Can Say I Am Pretentious In That I Pretend. I Have Aspirations That The Movie Should Trigger Off A Lot Of Complex Responses.

At A Certain Point The Audience Shouldn't Worry About Catching Every Word And Understanding Every Twist And Turn, Because At A Certain Point That's Pretty Much Impossible.