My Films Have Sort Of

Consequently, I Get Inspiration From All Over The Place. But It's Not Like A Calculated Thing On My Part, Or A Way That I See Myself, You Know? I'm Just Interested In Things That Move Me, And I Don't Care Where They Come From. In Fact, I'm Interested If They Come From A Place I Wouldn't Expect, Or Would Seem Foreign To Me On Some Level.

The Limits Of Control Is Not Surrealism, But It Is An Experiment In Which Expectations Are Deliberately Removed: Expectations For Narrative Form, For Action In A Film, For Certain Emotional Content. We Wanted To Remove Those Things And See If We Could Still Make A Film That Was A Beautiful Film Experience, With Deliberately Removing Things Many People Would Expect.

I Hate Those Live Action Versions Of Animated Cartoons. It Ruins Everything, The Whole Point Of Cartoons Is To Get Away From Photographs. I Mean It Would Be Stupid To Say That Cartoons Are Better Than Photographs But Its True.

I Love Rehearsing Because In Rehearsals There Are No Mistakes, Nothing Is Wrong, Some Things Apply Or Lead You To Focus On The Character And The Things That Don't Apply Are Equally Valuable Because They Lead You To Towards What Does.

Just Write A Poem As If You're Writing A Note To One Other Person.