Not Being Able To Touch

Snow Provokes Responses That Reach Right Back To Childhood.

Ephemeral Work Made Outside, For And About A Day, Lies At The Core Of My Art And Its Making Must Be Kept Private.

I Have To Understand The Nature Of Change. And I Cannot Just Work With Stone Or The More Permanent Materials. I Need To Work With Leaves And Ice And Snow And Mud And Clay And Water And The Rising Tide And The Wind And All These.

I Did Tests On Small Stones Before Collecting And Committing Myself To The Larger Ones.

The Essence Of Drawing Is The Line Exploring Space.