Once You Have Heard A

Well, Directing Is Doing The Key Drawings, Not The Key Animation, Mind You.

In Timing A Film, We Used To Assume That Sneaks Move Slowly. This Was Great For Animators-thirty-six To Forty-eight Drawings For A Single Step-but It Was Sheer Hell For The Pace Of The Picture. So The Rapid Tiptoe Was Invented.

Comedy Is Unusual People In Real Situations; Farce Is Real People In Unusual Situations.

Disney Was Not A Good Animator, He Didn't Draw Well At All, But He Was Always A Great Idea Man, And A Good Writer.

The Close-up, According To D.w. Griffith, Allows Subtle Changes Of Facial Expression-the Raising Of An Eyebrow Or The Flicker Of A Smile-to Become Part Of The Action.