Our Quarrels With The World

There Are Some Good Things And Some Fantastic Ones In Auden's Early Attitude; If The Reader Calls It A Muddle I Shall Acquiesce, With The Remark That The Later Position Might Be Considered A More Rarefied Muddle. But Poets Rather Specialize In Muddles And I Have No Doubt Which Of The Muddles Was Better For Auden's Poetry: One Was Fertile And Usable, The Other Decidedly Is Not. Auden Sometimes Seems To Be Saying With Henry Clay, "i Had Rather Be Right Than Poetry"; But I Am Not Sure, Then, That He Is Either.

A Poet Is A Man Who Manages, In A Lifetime Of Standing Out In Thunderstorms, To Be Struck By Lightning Five Or Six Times.

If Sometimes We Are Bogged Down In Lines Full Of "corybulous", "hypogeum", "plangent", "irrefragably", "glozening", "tellurian", "conclamant", Sometimes We Are Caught Up In The Soaring Rapture Of Something Unprecedented, Absolutely Individual.

Some Of Mr. Gregory's Poems Have Merely Appeared In The New Yorker ; Others Are New Yorker Poems: The Inclusive Topicality, The Informed And Casual Smartness, The Flat Fashionable Irony, Meaningless Because It Proceeds From A Frame Of Reference Whose Amorphous Superiority Is The Most Definite Thing About It They Are The Trademark Not Simply Of A Magazine But Of A Class.

The Dark, Uneasy World Of Family Life - Where The Greatest Can Fail And The Humblest Succeed.