People Fear They Won’t Get

I Don't Plan A Career. That Doesn't Work For Me. I Just Have To Go With My Gut.

Performance Is Made In The Editing Room, And I've Come To See The Truth In That - The Idea That They Say Performances Are Usually Made In The Editing Room Because What You Film Is The Raw Material. I Think Just Going Through The Process Of Saying, "which Take Do We Use? Why Is That The Take We Want? I Want That Take Can You Edit Again, I'm Not Sure That's The One, I Think It's This One." And Just Because You Go Through That Process, I Think Somehow It's Made Me Sort Of More Open About The [actor's] Possibilities.

I Have A Great Editor And I Enjoy, In A Masochistic Way, Being Ruthless About My Own Performance. How Do I Know, But I Think I'm Quite Good At Saying, "that's No Good. That's No Good. That's It. That's It. That's Good." And I'm With The Editor Who Goes, "no, I Think You're Wrong. That's Not Your Best." There's An Initial Point In The Editing, If You're Directing Yourself, Especially In My Case, Where You Go, "ouch, Ouch, Ouch, I Can't Watch This." And Then, There's A Point Where You Become Hard-nosed And Just Take Your Neurosis Away And Go, "what's Working? That's Okay. That's Okay. We Can Lose That, And Lose That." You Get Objective About It.

Gardeners Are Good At Nurturing, And They Have A Great Quality Of Patience, They're Tender. They Have To Be Persistent.

I Got To Read Some Writings By Serial Killers, And They Got Inside My Head. They Were Quite Disturbing. I Read Disturbing Stuff About That Very Detached Way Of Manipulating People To Do Things.