Pop, I'm Nothing! I'm Nothing,

A Playwright... Is... The Litmus Paper Of The Arts. He's Got To Be, Because If He Isn't Working On The Same Wave Length As The Audience, No One Would Know What In Hell He Was Talking About.

Pathos Truly Is The Mode For The Pessimist. But Tragedy Requires A Nicer Balance Between What Is Possible And What Is Impossible. And It Is Curious, Although Edifying, That The Plays We Revere, Century After Century, Are The Tragedies. In Them, And In Them Alone, Lies The Belief-optimistic, If You Will, In The Perfectibility Of Man.

It Is Rare For People To Be Asked The Question Which Puts Them Squarely In Front Of Themselves

The Crucible Became By Far My Most Frequently Produced Play, Both Abroad And At Home. Its Meaning Is Somewhat Different In Different Places And Moments. I Can Almost Tell What The Political Situation In A Country Is When The Play Is Suddenly A Hit There It Is Either A Warning Of Tyranny On The Way Or A Reminder Of Tyranny Just Past.

It Is Time That We, Who Are Without Kings, Took Up This Bright Thread Of Our History And Followed It To The Only Place It Can Possibly Lead In Our Time-the Heart And Spirit Of The Average Man.