Safer Than We Are.” I

Before I Began The Cider House Rules, I Thought I Wanted To Write About A Father-son Relationship That Was Closer, More Conflicted, And Ultimately More Loving, Than Most. Then I Began To Think Of A Relationship Between An Old Orphanage Director And An Unadoptable Orphan - A Kid Who Goes Out Into The World And Fails And Keeps Coming Back, So That The Old Guy Ends Up With Someone He's Got To Keep.

The Ability To See The Future Can Be A Burden, And The Younger You Are And The More Isolated You Feel, Maybe The More Of A Burden It Is.

There's No Reason You Shouldn't, As A Writer, Not Be Aware Of The Necessity To Revise Yourself Constantly.

The Book Works Better If I Know Everything I Can About The Ending. Not Just What Happens, But How It Happens And What The Language Is; Not Just The Last Sentence, But Enough Of The Sentences Surrounding That Last Sentence To Know What The Tone Of Voice Is. I Imagined It As Something Almost Musical. Then You Are Writing Toward Something; You Know The Sound Of Your Voice At The End Of The Story. That's How You Want To Sound In Those Final Sentences: The Degree That It Is Uplifting Or Not, The Degree That It Is Melancholic Or Not.

I Will Tell You What Is My Overriding Perception Of The Last Twenty Years: That We Are A Civilization Careening Toward A Succession Of Anticlimaxes – Toward An Infinity Of Unsatisfying, And Disagreeable Endings.