Shot At Twenty-seven Times -

Usually At The End Of Each Story We're Thrown Clear Out Of The Story's World And Then We're Given A New World To Enter. What's Unique About A Linked Collection Is That It Can Deliver Both Sets Of Narrative Pleasures - The Novel's Long Immersion Into Character-world And The Story Anthology's Energetic (and Mortal) Brevity - The Linked Collection Is Unique In Its Ability To Be Both Abrupt And Longitudinal Simultaneously.

If You're A Status Quo Writer, You're Considered To Not Be Political But That's As Political As If You're A Progressive Writer. Some Politics Are Asked To Show Their Passports And Others Aren't. In The Dominican Republique, If You're Slightly Progressive, People Have A Lot Of Suspicions That You're Up To Some Sort Of Conspiracy, That This Is Some Sort Of Plot. On The Other Hand, If You're Conservative And Mainstream, People Tend To Take That As A Given And Don't Notice The Politics.

Stereotypes, They're Sensual, Cultural Weapons. That's The Way That We Attack People. At An Artistic Level, Stereotypes Are Terrible Writing.

I Think That If You're Writing About The Human Condition, My God, You've Got To Start At Base: Point Zero, Point One, Is The Body.

Stories Are Hard. I Have Friends Who Knock Out Stories On A Weekly Or Monthly Basis, Like They're Running On Medicinal-strength Updike. But For Me A Story Is As Daunting A Prospect As A Novel.