The Day We Run Out

It's Very True That Non-actors Feel More Comfortable In Front Of A Digital Camera, Without The Lights And The Large Crowd Around Them, And We Arrive At Much More Intimate Moments With Them.

When We Start Shooting I Don't Have Rehearsals With Characters At All. So, Rather Than Pulling Them Towards Myself, I Travel Closer To Them; It's Very Much Closer To The Real Person Than Anything I Try To Create. So I Give Them Something But I Also Take From Them.

I Spend A Lot Of Time Doing Carpentry. Sometimes There Is Nothing That Gives Me The Contentment That Sawing A Piece Of Wood Does.

In Order To Be Universal, You Have To Be Rooted In Your Own Culture.

While Shooting Ten I Was Sitting In The Backseat, But I Didn't Interfere. Sometimes, I Was Following In Another Car, So I Was Not Even Present On The "set", Because I Thought They Would Work Better In My Absence.