The Highest Praise Of God

But When From A Long-distant Past Nothing Subsists, After The People Are Dead, After The Things Are Broken And Scattered, Taste And Smell Alone, More Fragile But More Enduring, More Unsubstantial, More Persistent, More Faithful, Remain Poised A Long Time, Like Souls, Remembering, Waiting, Hoping, Amid The Ruins Of All The Rest; And Bear Unflinchingly, In The Tiny And Almost Impalpable Drop Of Their Essence, The Vast Structure Of Recollection.

Women Who Are To Some Extent Resistant, Whom One Cannot Possess At Once, Whom One Does Not Even Know At First Whether One Will Ever Possess, Are The Only Interesting Ones.

We Are At Times Too Ready To Believe That The Present Is The Only Possible State Of Things.

I Shall Not Find A Painting More Beautiful Because The Artist Has Painted A Hawthorn In The Foreground, Though I Know Of Nothing More Beautiful Than The Hawthorn, For I Wish To Remain Sincere And Because I Know That The Beauty Of A Painting Does Not Depend On The Things Represented In It. I Shall Not Collect Images Of Hawthorn. I Do Not Venerate Hawthorn, I Go To See And Smell It.

What Artists Call Posterity Is The Posterity Of The Work Of Art.