The Minotaur More Than Justifies

The Two Important Facts I Should Say, Are Emotion, And Then Words Arising From Emotion. I Don't Think You Can Write In An Emotionless Way. If You Attempt It, The Result Is Artificial. I Don't Like That Kind Of Writing. I Think That If A Poem Is Really Great, You Should Think Of It As Having Written Itself Despite The Author. It Should Flow.

Writing Long Books Is A Laborious And Impoverishing Act Of Foolishness: Expanding In Five Hundred Pages An Idea That Could Be Perfectly Explained In A Few Minutes. A Better Procedure Is To Pretend That Those Books Already Exist And To Offer A Summary, A Commentary.

The Central Fact Of My Life Has Been The Existence Of Words And The Possibility Of Weaving Those Words Into Poetry.

The Tango Is A Direct Expression Of Something That Poets Have Often Tried To State In Words: The Belief That A Fight May Be A Celebration.

The Thought Came Over Me That Never Would One Full And Absolute Moment, Containing All The Others, Justify My Life, That All Of My Instants Would Be Provisional Phases, Annihilators Of The Past Turned To Face The Future, And That Beyond The Episodic, The Present, The Circumstantial, We Were Nobody.