The Real Problem With Stories

We Live In A World In Which The Only Utopian Visions Arrive In Commercial Breaks: Magical Visions Of An Impossibly Hospitable World, Peopled By Bright-eyed Attractive Men, Women, Children... Where Nobody Dies... In My Worlds People Died. And I Thought That Was Honest. I Thought I Was Being Honest.

Any Way, Death Is So Final, Isn't It? "is It?" Asked Richard. "sometimes," Said The Marquis De Carabas. And They Went Down.

I Think I Fell In Love With Her, A Little Bit. Isn't That Dumb? But It Was Like I Knew Her. Like She Was My Oldest, Dearest Friend. The Kind Of Person You Can Tell Anything To, No Matter How Bad, And They'll Still Love You, Because They Know You. I Wanted To Go With Her. I Wanted Her To Notice Me. And Then She Stopped Walking. Under The Moon, She Stopped. And Looked At Us. She Looked At Me. Maybe She Was Trying To Tell Me Something; I Don't Know. She Probably Didn't Even Know I Was There. But I'll Always Love Her. All My Life.

I Was Always Aware, Reading Chesterton, That There Was Someone Writing This Who Rejoiced In Words, Who Deployed Them On The Page As An Artist Deploys His Paints Upon His Palette. Behind Every Chesterton Sentence There Was Someone Painting With Words, And It Seemed To Me That At The End Of Any Particularly Good Sentence Or Any Perfectly-put Paradox, You Could Hear The Author, Somewhere Behind The Scenes, Giggling With Delight.

When I Was A Child, Adults Would Tell Me Not To Make Things Up, Warning Me Of What Would Happen If I Did. As Far As I Can Tell So Far, It Seems To Involve Lots Of Foreign Travel And Not Having To Get Up Too Early In The Morning.