The Reason Why The Stone

I Can't Edit The Materials I Work With. My Remit Is To Work With Nature As A Whole.

The Underlying Tension Of A Lot Of My Art Is To Try And Look Through The Surface Appearance Of Things. Inevitably, One Way Of Getting Beneath The Surface Is To Introduce A Hole, A Window Into What Lies Below.

A Lot Of My Work Is Like Picking Potatoes; You Have To Get Into The Rhythm Of It. It Is Different Than Patience. It Is Not Thinking. It Is Working With The Rhythm.

I Want To Get Under The Surface. When I Work With A Leaf, Rock, Stick, It Is Not Just That Material In Itself, It Is An Opening Into The Processes Of Life Within And Around It. When I Leave It, These Processes Continue.

People Are The Nature Of The City, And You Can Feel It In The Pavement.