The Structure Of A Play

Above All Else, Tragedy Requires The Finest Appreciation By The Writer Of Cause And Effect.

Controlled Hysteria Is What's Required. To Exist Constantly In A State Of Controlled Hysteria. It's Agony. But Everyone Has Agony. The Difference Is That I Try To Take My Agony Home And Teach It To Sing.

The Only Thing You Got In This World Is What You Can Sell. And The Funny Thing Is That You're A Salesman, And You Don't Know That.

The Success Of A Play, Especially One's First Success, Is Somewhat Like Pushing Against A Door Which Is Suddenly Opened That Was Always Securely Shut Until Then. For Myself, The Experience Was Invigorating. It Suddenly Seemed That The Audience Was A Mass Of Blood Relations, And I Sensed A Warmth In The World That Had Not Been There Before. It Made It Possible To Dream Of Daring More And Risking More.

For The Political World, I Have Come To Believe, Is Fundamentally Beyond Anyone's Control, Yet We All Go On As Though It Were A Kind Of Vehicle That Only Needs A Change Of Drivers In Order To Steer It Away From Its Frequent Hair-raising Visits To The Edge Of The Cliff.