The Thing I Gravitated To

Pablo Escobar Is One Of The Great Stories Of All Time. It's A Bizarre, Dark Version Of Success.

I Did 40 Voices For Chris Wedge, The Director Of The First Film, Before Coming Up With The Version We Used. He Was Hard To Please, I Don't Know Why. I Gave Him Really Slow Talking Voices. Then I Thought Perhaps Sid Could Be An Indian Sounding Sloth. To Find Out More About My Character, I Watched Footage Of Sloths. I Discovered That The Food They Store In Their Pouches Rots And Ferments And Half The Time They're Drunk.

I Don't Think It's My Responsibility, But I Definitely Try To Create My Own Projects That Are Latin-based With A Latin Crew And Latin Cast. I Try To Give All My Characters Latin Names Whenever I Can And Make Sure That They Are Of Latin Heritage. But That Does Not Work With Every Project.

It's Not Quite The Same As Other Kinds Of Performing, But I Love Animation. It Is Just A Different Kind Of Experience. The Difference Is That Making A Live Action Movie You Are Using Your Whole Body.

I Think As You Mature As An Actor Things Open Up To You In A Lot Of Ways, Especially If You Do Work On Yourself.