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The Work In S, M, L, Xl Was Almost Suicidal. It Required So Much Effort That Our Office Almost Went Bankrupt.
-Rem Koolhaas
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The Work In S, M,
Rem Koolhaas
The Work In S, M, L, Xl Was Almost Suicidal. It Required So Much Effort That Our Office Almost Went Bankrupt.
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Suicide
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The Architecture Per Se Isn't At Fault. The More Important Factor, In My View, Is The Political Neglect Of These Areas, Which Have Essentially Been Cut Off From Other Neighborhoods.
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One Cannot Completely Avoid This Landmark Character With Large Buildings Such As These. But The City Itself Is Also Gigantic.
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Evil Can Also Be Beautiful. The Coliseum In Rome, For Example, A Wonderful Structure With An Awful Past. Just Think About The Bloody Gladiator Fights There.
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All Important Architecture Of The Last Century Was Strongly Influenced By Political Systems. Look At The Soviet System, With Its Constructivism And Stalinism, Weimer With Its Modern Style, Mussolini And, Of Course, The Nazis And Albert Speer's Colossal Structures. Today's Architecture Is Subservient To The Market And Its Terms. The Market Has Supplanted Ideology. Architecture Has Turned Into A Spectacle. It Has To Package Itself And No Longer Has Significance As Anything But A Landmark.
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Miami Beach Is A Completely Interesting Hybrid Because It Is, On The One Hand, A Resort And, On The Other Hand, A Real City. This Condition Of City And Water On Two Sides I Think Is Really Amazing. And In The Heart Of That City, It Has Put An Enormous Convention Center, An Enormous Physical Presence.
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