Things Between Us Were Dissolving

The Detachment Of The Artist Is Kind Of Creepy. It's Kind Of Rude, And Yet Really It's Where Art Comes From. It's Not The Same As Courage. It's Closer To Bad Manners Than To Courage. If You're Going To Be A Writer, You Basically Have To Say, 'this Is Just Who I Am'. There's A Certain Indefensibility About It. It's Not About Loving Your Community And Taking Care Of It — You're Not Attached To The Chamber Of Commerce. It's A Little Unsafe. You Have To Be Willing To Have Only Four Friends, Not 11.

You Know, As Fiction Writers, If Our Instincts Are Off, We Can't Pay Our Bills.

The Thing To Remember About Love Affairs," Says Simone, "is That They Are All Like Having Raccoons In Your Chimney." ... We Have Raccoons Sometimes In Our Chimney," Explains Simone. And Once We Tried To Smoke Them Out. We Lit A Fire, Knowing They Were There, But We Hoped The Smoke Would Cause Them To Scurry Out The Top And Never Come Back. Instead, They Caught On Fire And Came Crashing Down Into Our Living Room, All Charred And In Flames And Running Madly Around Until They Dropped Dead." Simone Swallows Some Wine. "love Affairs Are Like That," She Says. "they Are All Like That.

One Should Never Turn One's Back On A Vivid Imagination.

Writing Is Both The Excursion Into And The Excursion Out Of One's Life. That Is The Queasy Paradox Of The Artistic Life. It Is The Thing That, Like Love, Removes One Both Painfully And Deliciously From The Ordinary Shape Of Existence. It Joins Another Queasy Paradox: That Life Is An Amazing, Hilarious, Blessed Gift And That It Is Also Intolerable.