Though I Walk Through The

There's One Massive Problem With Coming From Writing Novels Into Screenplays That I've Discovered Over The Years, Which Is That You've Got Too Much Facility On The Page. In Novels, You Can Persuade People Of Things That Work That Don't Really Work.

There Are One Hundred Glow-stars On My Bedroom Ceiling. (...) Glow-stars Are Strange. They Make The Ceiling Disappear.

I Used To Think About Video Games, "this Is Clearly An Amazing, New Narrative Medium, And It's Going To Be Mind-blowing When People Get To Grips With What's Possible Within This Medium." It Took Us A Century To Get Really Good At Film. Video Games Are At A Much Earlier Stage.

Trust Me, It's Paradise. This Is Where The Hungry Come To Feed. For Mine Is A Generation That Circles The Globe And Searches For Something We Haven't Tried Before. So Never Refuse An Invitation, Never Resist The Unfamiliar, Never Fail To Be Polite And Never Outstay The Welcome. Just Keep Your Mind Open And Suck In The Experience. And If It Hurts, You Know What? It's Probably Worth It.

I Never Feel A Huge Need For Backstory In My Novels Or Films. Quick Sketches Are Often Enough. When You Encounter People In Life - Like A Chance Encounter At A Bar Or Wherever You Happen To Be - You Make These Incredibly Quick, Quite Intricate Decisions About People Based On Very Small Amounts Of Coded Information. We're Good At That. Long Descriptions Prior To Meeting Someone Or As You're Getting To Know Them Almost Don't Work.