To Do A Drawing For

Object In/ And Space - The First Impulse May Be To Give The Object - A Position - To Place The Object. (the Object Had A Position To Begin With.) Next - To Change The Position Of The Object. - Rauschenberg's Early Sculptures - A Board With Some Rocks On It. The Rocks Can Be Anywhere On The Board. - Cage's Japanese Rock Garden - The Rocks Can Be Anywhere (within The Garden).

I Don't Want My Work To Be An Exposure Of My Feelings.

I'm Especially Interested In The Music Of John Cage... I Would Like To Do Some Experimenting With The Relationship Between His Freeform Sound And Free-form Art.

Working Is Very Important To Me. Probably Because As A Child I Was Taught That Work Was Good. I Don’t Believe It Intellectually But I Identify With That Idea. So It’s Probably Just Like A Habit.

The Thing Is, If You Believe In The Unconscious - And I Do - There's Room For All Kinds Of Possibilities That I Don't Know How You Prove One Way Or Another.